Enabling Richard: The Rhetoric of Disability in Richard III

Katherine Schaap Williams

Abstract


This article examines Shakespeare’s Richard III as an important example of staging disability in early modern drama. Although Richard’s character is taken by theorists as emblematic of premodern notions of disability, this article reads Richard instead as a “dismodern” subject who employs rhetorical power and performative ability to compensate for a bodily form marked with negative associations. Richard foregrounds his deformed figure in ways that advance his political power, appealing to bodily deformity and the impotence he claims it entails to obscure his shrewd political maneuvers. Understanding the powerful ends to which Richard uses his disability allows us to think about disabled identity in the Renaissance as a complex negotiation of discourses of deformity and monstrosity as well as a relation to bodily contingency that reveals the instability of all bodies.

 

 

Keywords: deformity, disability, dismodern, drama, Shakespeare, Richard III.


References



Full Text: HTML


Copyright © 2000-13, The Society for Disability Studies. If you encounter problems with the site or have comments to offer, including any access difficulty due to incompatibility with adaptive technology, please contact the Web Manager, Laura Seeger. Disability Studies Quarterly acknowledges and appreciates The Ohio State University Libraries for publishing DSQ as part of the University's Knowledge Bank initiative.